Photo: Eduardo Munoz. / Grosby Group
Much has been said about the most recent publication of Gerard Piqué on Instagram, because after several months of ‘telling about’, Clara Chía finally made her debut on the footballer’s official account. As expected, this made eyes turn to Shakira and her reaction to the situation was not what the public expected. Here we tell you the details!
The interpreter of “Monotonía” and “I congratulate you” appeared in front of the cameras in the streets of Barcelona for the first time since the feat of her ex-partner, this after having visited the prestigious school attended by her children Sasha and Milán.
Through the lenses of the cameras, Shakira can be seen while driving her car, accompanied at all times by her brother Tonino Mebarak. And although from minute one she was bombarded with questions about Piqué and the controversial photograph, she remained faithful to silence.
In addition to being the target of questions about the father of her children, the famous 45-year-old received a question related to her former mother-in-law. “Is it true that you told the children not to call Monserrat and Joan ‘grandparents’ anymore? They are very hurt, they say that when you are with them, you call them often”, mentioned a reporter.
With a discreet smile on her face, the Grammy winner ignored each of the questions from the Spanish press and limited herself to avoiding taking a false step with her statements, especially now that her intention to launch a new album has come to light. theme dedicated to the former footballer.
And it is that for a few days it has been rumored that Shakira is already preparing her new “hit” against Piqué in the studio in what would be her fourth song on the subject since announcing her separation from the soccer star.
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• Gerard Piqué publishes his first photo with Clara Chía and the memes this time beat Shakira
• Team Shakira unleashes ridicule and insults against Gerard Piqué before controversial photo with Clara Chía
• Shakira is shown dancing her song “Music sessions #53”, but now to the rhythm of merengue