The Mexican singer-songwriter, Mane de la Parra exploded against Adriel Favela after the Mexican regional music singer had a clash with the media during the blue carpet of the GQ Hombres del Year.
And it is that Favela prevented his girlfriend Estibaliz Badiola from talking to the press and expressed his annoyance with a reporter who expressed his anger for this reason , a situation that Mane de la Parra rejected, highlighting that his colleague was not humble.
“A guy like this has not understood anything about life, the simplest people are the most talented, the most humble people with whom I have the opportunity to work are the most successful” , said De la Parra about the situation.
The actor also pointed out that the most successful artists in the world are characterized precisely by their kindness to the press, as well as mo with his companions in the middle.
“You arrive with Carlos Vives or with people of that level and always, all their lives, they will shake your hand, they will say ‘how are you?’, they will never deny you an interview ” , he finished.
He prefers that his life is private
Mane de la Parra is surprised by the speed that is handled in social networks and that the public increasingly wants to know more about the lives of the artists, without filters or masks. Something that he sees positive and tries to establish a real connection with his fans, without opening the door to their privacy.
“I have never used my love life to talk about me. I see that there are colleagues who do it and constantly give statements whether or not they are together, if they married or if they have already divorced, I think it is chaos, so I have decided to put that part aside and focus on publishing things about me I work as an actor and singers. ”
De la Parra opens the doors of his house in the concerts that he gives every week via streaming, where he is transparent. Recently, he also launched the song Es un locura together with Emilio, son of producer Juan Osorio, for the telenovela ¿Qué pasa a mi Familia ?, a job that allowed him to live together and learn more about how new generations work.
“They have different ideas even when composing. Before we made songs with verse, chorus, second verse, bridge and more. Now everything is faster, people ask for the chorus in the second 25 ”.
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